David Blair directs this British drama, loosely inspired by John Steinbeck's novel 'Of Mice and Men'. Set in Nottingham, the film revolves around the relationship between the thuggish Danny (Stephen Graham) and Joseph (Adewale Akinnuoye-Agbaje), a giant of a man with a mental age of seven. When Danny finds himself in debt to a local crime boss, he feels he is left with no choice but to manipulate Joseph into participating in a series of underground cage fights from which Danny can profit. Salvation appears to call out to both men when they begin relationships with Lisa (Emma Stansfield) and Isabel (Maxine Peake), but will they be able to escape the bloody world of gambling and fighting Danny has plunged them into?

Three-part British drama starring Dawn Steele and Ronni Ancona. Following members of a Clydeside clan headed by Mary Corrigan (Steele and later June Watson), the programme follows three generations of the family over the course of one hundred years as they face some of the most trying circumstances in British political history including Bloody Friday of 1919 where workers marched through Glasgow demanding a 40-hour working week and the pandemonium of the miner's strike of 1984.

British supernatural horror starring Robert Sheehan and Lily Cole. Jack (Sheehan) is a severely troubled man, burdened by the voices in his head. When he discovers that the voices he hears are those of dead people, he realises that they are using him as a messenger to send word to their loved ones. When a recently departed journalist gets in contact with Jack, expressing the need to say goodbye to his wife, Jack obeys the voice and finds himself getting close to the grieving widow, Sarah (Tamzin Merchant). As he spends more time with Sarah, Jack learns dark secrets about the couple, making him question the morals of his unwanted gift.

In our world today, scientists and technologists speak one language of reality. Everyone else, whether they be prime ministers, lawyers, or primary school teachers speak an outdated Newtonian language of reality. While Newton saw time and space as rigid and absolute, Einstein showed that time is relative - it depends on height and velocity - and that space can stretch and distort. The modern Einsteinian perspective represents a significant paradigm shift compared with the Newtonian paradigm that underpins most of the school education today. Research has shown that young learners quickly access and accept Einsteinian concepts and the modern language of reality. Students enjoy learning about curved space, photons, gravitational waves, and time dilation; often, they ask for more! A consistent education within the Einsteinian paradigm requires rethinking of science education across the entire school curriculum, and this is now attracting attention around the world. This book brings together a coherent set of chapters written by leading experts in the field of Einsteinian physics education. The book begins by exploring the fundamental concepts of space, time, light, and gravity and how teachers can introduce these topics at an early age. A radical change in the curriculum requires new learning instruments and innovative instructional approaches. Throughout the book, the authors emphasise and discuss evidence-based approaches to Einsteinian concepts, including computer- based tools, geometrical methods, models and analogies, and simplified mathematical treatments. Teaching Einsteinian Physics in Schools is designed as a resource for teacher education students, primary and secondary science teachers, and for anyone interested in a scientifically accurate description of physical reality at a level appropriate for school education.

Introduction and Notes by David Blair, Rutherford College, University of Kent. The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.

Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury. Late in the eighteenth century authors began to write 'Gothic' stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the 'Age of Reason'. This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting 'The Lame Priest' are 'lost masterpieces' and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling - tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind - insanity, sexuality, death and the often terrible power of the past to catch up with the present. In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories' place in the complex traditions of Gothic writing in British and American literature.

In our world today, scientists and technologists speak one language of reality. Everyone else, whether they be prime ministers, lawyers, or primary school teachers speak an outdated Newtonian language of reality. While Newton saw time and space as rigid and absolute, Einstein showed that time is relative - it depends on height and velocity - and that space can stretch and distort. The modern Einsteinian perspective represents a significant paradigm shift compared with the Newtonian paradigm that underpins most of the school education today. Research has shown that young learners quickly access and accept Einsteinian concepts and the modern language of reality. Students enjoy learning about curved space, photons, gravitational waves, and time dilation; often, they ask for more! A consistent education within the Einsteinian paradigm requires rethinking of science education across the entire school curriculum, and this is now attracting attention around the world. This book brings together a coherent set of chapters written by leading experts in the field of Einsteinian physics education. The book begins by exploring the fundamental concepts of space, time, light, and gravity and how teachers can introduce these topics at an early age. A radical change in the curriculum requires new learning instruments and innovative instructional approaches. Throughout the book, the authors emphasise and discuss evidence-based approaches to Einsteinian concepts, including computer- based tools, geometrical methods, models and analogies, and simplified mathematical treatments. Teaching Einsteinian Physics in Schools is designed as a resource for teacher education students, primary and secondary science teachers, and for anyone interested in a scientifically accurate description of physical reality at a level appropriate for school education.

Introduction and Notes by David Blair, University of Kent at Canterbury. Set in the reign of Richard I, Coeur de Lion, Ivanhoe is packed with memorable incidents - sieges, ambushes and combats - and equally memorable characters: Cedric of Rotherwood, the die-hard Saxon; his ward Rowena; the fierce Templar knight, Sir Brian de Bois-Gilbert; the Jew, Isaac of York, and his beautiful, spirited daughter Rebecca; Wamba and Gurth, jester and swineherd respectively. Scott explores the conflicts between the Crown and the powerful Barons, between the Norman overlords and the conquered Saxons, and between Richard and his scheming brother, Prince John. At the same time he brings into the novel the legendary Robin Hood and his band, and creates a brilliant, colourful account of the age of chivalry with all its elaborate rituals and costumes and its values of honour and personal glory.

Introduction and Notes by David Blair. University of Kent at Canterbury. It is 1757. Across north-eastern America the armies of Britain and France struggle for ascendancy. Their conflict, however, overlays older struggles between nations of native Americans for possession of the same lands and between the native peoples and white colonisers. Through these layers of conflict Cooper threads a thrilling narrative, in which Cora and Alice Munro, daughters of a British commander on the front line of the colonial war, attempt to join their father. Thwarted by Magua, the sinister 'Indian runner', they find help in the person of Hawkeye, the white woodsman, and his companions, the Mohican Chingachgook and Uncas, his son, the last of his tribe. Cooper's novel is full of vivid incident- pursuits through wild terrain, skirmishes, treachery and brutality- but reflects also on the interaction between the colonists and the native peoples. Through the character of Hawkeye, Cooper raises lasting questions about the practises of the American frontier and the eclipse of the indigenous cultures.

Introduction and Notes by David Blair, University of Kent. Northanger Abbey tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her. In this, her first full-length novel, Austen also fixes her sharp, ironic gaze on other kinds of contemporary novel, especially the Gothic school made famous by Ann Radcliffe. Catherine's reading becomes intertwined with her social and romantic adventures, adding to the uncertainties and embarrassments she must undergo before finding happiness.

Eight-volume collection of animations based on the Marvel Comics characters. In 'Astonishing X-Men: Gifted', Dr. Kavita Rao (voice of Eva Christensen) appears to have found a cure for mutant superheroes Wolverine (Marc Thompson), Cyclops (Gregory Abbey), Beast (Mike Pollock), Kitty Pryde (Eileen Stevens) and Emma Frost (Erica Schroeder). They are reluctant to receive the treatment, however, especially when the arrival of an extraterrestrial foe threatens humankind. In 'Astonishing X-Men: Dangerous', after a member of the Xavier Institute dies, it becomes apparent that an enemy, who is intent on destroying the mutants once and for all, is operating from the inside. A shocking secret is revealed and the X-Men find themselves fighting for their survival. In 'Astonishing X-Men: Torn', the X-Men face trouble from the Hellfire Club, a group made up of influential figures who are trying to gain control over the world using their powerful positions within politics and the economy. In 'Astonishing X-Men: Unstoppable', the X-Men must save Earth from an attack by the Breakworld aliens who plan to fire a gigantic bullet that would lead to the planet's complete destruction. In 'Iron Man: Extremis', Mallen (Ted Lewis), a soldier intent on seeking revenge for the death of his family, gets hold of an experimental military serum known as Extremis. After being injected with the drug, Mallen acquires extraordinary powers that even billionaire Tony Stark aka Iron Man (Jason Griffith) can't defeat. Now critically wounded after battling the vengeful villain, Stark has no choice but to use Extremis himself in order to save the day. 'Spider-Woman: Agent of S.W.O.R.D.' follows Jessica Drew (Nicolette Reed) and her superheroine alter ego Spider-Woman. Recruited by Abigail Brand (Stephanie K. Thomas) to join S.W.O.R.D., an agency which fights terrorism and threats from extraterrestrial beings, Jessica Drew uses her powers to find and destroy shape-shifting aliens known as the Skrulls. In 'Blank Panther', African King T'Challa aka the Black Panther (Djimon Hounsou) defends his nation from invasion. After his father King T'Chaka (Jonathan Adams) is killed at the hands of the villainous Ulysses Klaw (Stephen Stanton), T'Challa becomes the new ruler of his country Wakanda, home to the valuable mineral vibranium. Klaw assembles an almighty army with which to invade Wakanda, meaning the Black Panther will have to push his powers to the limit if he is to save his country and people from harm. 'Thor and Loki: Blood Brothers' follows the villainous Loki (David Blair) and his superhero adoptive brother Thor (Daniel Thorn). After becoming the new king of the mystical realm Asgard, Loki is soon faced with the reality of ruling over his land. Told from Loki's point of view, the story explores how he and his brother became enemies.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

With an Introduction and Notes by David Blair. From its first publication in 1816 Rob Roy has been recognised as containing some of Scott's finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote - a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novel's historical context and a glossary of Scottish words and phrases used by Scott's colourful, vernacular characters.

Though a number of books covering adolescent substance abuse are available, there are very few resources that explore the topic in the context of Family Systems Therapy (FST). Youth and Their Families offers an expanded view of the therapeutic process with a specific focus on the relationship between therapists, adolescents, families, communities, and substance use. By applying an FST lens, the clinician learns to view their client as an entire family system being affected by adolescent substance abuse. Furthermore, FST can be used at every stage of the substance abuse intervention continuum (from prevention to intervention) to provide increased functioning and strength in the family system. This book incorporates easily applicable clinical skill acquisition with the use of lively cases to give the reader requisite skills to be an effective family systems therapist.